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Movies that feel like Rio Bravo (1959)

If you loved Rio Bravo, the closest films we have are High Noon (1952), Diary of a Country Priest (1951) and Old Yeller (1957). All three share Rio Bravo's cozy feel, which is what we rank on before quality. 8 of the 12 picks below are included with a subscription right now on HBO Max, Criterion Channel and MGM Plus and others, checked against today's data.

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

πŸ… 96% Rotten Tomatoesβ˜… 8 IMDb β†—TMDB β†—dir. Howard Hawksgrittycontemplativecozy

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If Rio Bravo hit the spot, these will too

High Noon poster
High Noon
1952 Β· dir. Fred Zinnemann
πŸ… 94%β˜… 7.9western

The same preoccupation in both: small town life

The difference: Not nearly as contemplative as Rio Bravo

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

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Diary of a Country Priest poster
Diary of a Country Priest
1951 Β· dir. Robert Bresson
πŸ… 95%β˜… 7.7drama

One thread runs through both: small town life

An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.

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Old Yeller poster
Old Yeller
1957 Β· dir. Robert Stevenson
πŸ… 100%β˜… 7.2adventure Β· drama Β· family

Both keep coming back to the same thing: texas

The difference: Leans harder into adventure than Rio Bravo does

Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.

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Giant poster
Giant
1956 Β· dir. George Stevens
πŸ… 86%β˜… 7.6drama Β· western

Common ground: texas

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

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Hang 'em High poster
Hang 'em High
1968 Β· dir. Ted Post
πŸ… 93%β˜… 7western Β· drama

Both are built on the same subject: marshal

Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.

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Bonnie and Clyde poster
Bonnie and Clyde
1967 Β· dir. Arthur Penn
πŸ… 91%β˜… 7.7crime Β· drama

Common ground: sheriff

In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow, and together they start a violent crime spree throughout the country, stealing cars and robbing banks.

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Red River poster
Red River
1948 Β· dir. Howard Hawks
πŸ… 100%β˜… 7.7western

Howard Hawks working the same nerve twice

Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protΓ©gΓ©.

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The Man Who Shot Liberty Valance poster
The Man Who Shot Liberty Valance
1962 Β· dir. John Ford
πŸ… 95%β˜… 8.1western

Both are built on the same subject: stagecoach

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

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Pickpocket poster
Pickpocket
1959 Β· dir. Robert Bresson
πŸ… 93%β˜… 7.5crime Β· drama

The same mix in both: grit, then stillness

Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.

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She Wore a Yellow Ribbon poster
She Wore a Yellow Ribbon
1949 Β· dir. John Ford
πŸ… 91%β˜… 7.2drama Β· western

Both lean on grit more than on western

On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.

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The Wrong Man poster
The Wrong Man
1956 Β· dir. Alfred Hitchcock
πŸ… 93%β˜… 7.4crime Β· drama

Contemplative drama, and it commits to that

In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.

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The Wind Will Carry Us poster
The Wind Will Carry Us
1999 Β· dir. Abbas Kiarostami
πŸ… 97%β˜… 7.4drama

Cozy drama in both cases

The difference: 40 years apart, and the 1990s show

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

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The best-reviewed films that share Rio Bravo’s defining feeling.