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The Good, the Bad and the Ugly poster

Movies that feel likeThe Good, the Bad and the Ugly (1966)

While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.

If you loved The Good, the Bad and the Ugly, the closest films we have are For a Few Dollars More (1965), A Fistful of Dollars (1964) and Duck, You Sucker (1971). All three share The Good, the Bad and the Ugly's gritty feel, which is what we rank on before quality.

Seen the big three already? The under-the-radar pick below is Fort Apache (1948).

🍅 97% Rotten Tomatoes★ 8.8 IMDb ↗TMDB ↗dir. Sergio Leonegritty
10 of 12 streaming nowHBO Max · Amazon Prime Video · ARROW

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If The Good, the Bad and the Ugly hit the spot, these will too

For a Few Dollars More poster
For a Few Dollars More
1965 · dir. Sergio Leone
🍅 92%★ 8.2western

Leone's bounty hunters circling each other before the payoff

The difference: Tighter and smaller — a duel, not a Civil War odyssey

Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.

A Fistful of Dollars poster
A Fistful of Dollars
1964 · dir. Sergio Leone
🍅 98%★ 7.9westernRent or buy

The Man with No Name playing both sides for profit

The difference: The rough first draft — leaner budget, narrower canvas

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

Duck, You Sucker poster
Duck, You Sucker
1971 · dir. Sergio Leone
🍅 92%★ 7.5westernPrime Video

Leone mixing outlaw greed with the machinery of war

The difference: Overtly political — revolution weighs down the swagger

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

True Grit poster
True Grit
1969 · dir. Henry Hathaway
🍅 87%★ 7.4western

A mercenary manhunt through unforgiving country

The difference: Hollywood classicism — John Wayne warmth, not Leone cool

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

The Man Who Shot Liberty Valance poster
The Man Who Shot Liberty Valance
1962 · dir. John Ford
🍅 95%★ 8.1western

The gunfighter myth itself put on trial

The difference: A talky black-and-white parable — no operatic showdowns

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

The Searchers poster
The Searchers
1956 · dir. John Ford
🍅 87%★ 7.8western

A years-long obsessive hunt across pitiless landscapes

The difference: Darker psychology — its hero's racism is the actual subject

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

Stagecoach poster
Stagecoach
1939 · dir. John Ford
🍅 100%★ 7.8westernPrime VideoMax

Strangers with agendas thrown together in hostile territory

The difference: Studio-era classicism — brisk, warm and thirty years earlier

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.

Fort Apache poster
Fort Apache
1948 · dir. John Ford
🍅 100%★ 7.4western

Pride and folly marching men toward slaughter

The difference: Cavalry-post drama — duty and hierarchy over gold and greed

Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

The Ox-Bow Incident poster
The Ox-Bow Incident
1943 · dir. William A. Wellman
🍅 90%★ 8western

Frontier justice exposed as a mob with a rope

The difference: A stark morality play — barely any action, all conscience

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

3:10 to Yuma poster
3:10 to Yuma
2007 · dir. James Mangold
🍅 89%★ 7.6western

Gritty western, and it commits to that

The difference: Made in the 2000s, in a different era of the craft

In Arizona in the late 1800s, infamous outlaw Ben Wade and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured, Civil War veteran Dan Evans, struggling to survive on his drought-plagued ranch, volunteers to deliver him alive to the "3:10 to Yuma", a train that will take the killer to trial.

Django poster
Django
1966 · dir. Sergio Corbucci
🍅 94%★ 7.2action · western

A lone drifter dragging death into a vicious feud

The difference: Cruder pulp — mud, sadism and a fraction of the craft

A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a Klan of Southern racists and a band of Mexican Revolutionaries.

Hang 'em High poster
Hang 'em High
1968 · dir. Ted Post
🍅 93%★ 7western · drama

Western with a pulse of grit, in both cases

The difference: Leans further into drama

Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.

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The best-reviewed films that share The Good, the Bad and the Ugly’s defining feeling.