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Movies that feel like High Noon (1952)

If you loved High Noon, the closest films we have are Rio Bravo (1959), The Man Who Shot Liberty Valance (1962) and Diary of a Country Priest (1951). Most of the picks below share High Noon's gritty feel, which is what we rank on before quality. 8 of the 12 picks below are included with a subscription right now on HBO Max, Amazon Prime Video and Paramount Plus Premium and others, checked against today's data.

Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

πŸ… 94% Rotten Tomatoesβ˜… 7.9 IMDb β†—TMDB β†—dir. Fred Zinnemanngrittycozy
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If High Noon hit the spot, these will too

Rio Bravo poster
Rio Bravo
1959 Β· dir. Howard Hawks
πŸ… 96%β˜… 8western Β· drama

The same preoccupation in both: small town life

The difference: Sits closer to drama than High Noon does

A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.

Feels alike?
The Man Who Shot Liberty Valance poster
The Man Who Shot Liberty Valance
1962 Β· dir. John Ford
πŸ… 95%β˜… 8.1western

Two things both keep coming back to: gunslinger and showdown

The difference: None of the comfort High Noon is built on

Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.

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Diary of a Country Priest poster
Diary of a Country Priest
1951 Β· dir. Robert Bresson
πŸ… 95%β˜… 7.7drama

Common ground: black and white

The difference: Leans harder into drama than High Noon does

An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.

Feels alike?
Stagecoach poster
Stagecoach
1939 Β· dir. John Ford
πŸ… 100%β˜… 7.8western

One thread runs through both: shootout

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.

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The Ox-Bow Incident poster
The Ox-Bow Incident
1943 Β· dir. William A. Wellman
πŸ… 90%β˜… 8western

Both keep coming back to the same thing: justice

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

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Fort Apache poster
Fort Apache
1948 Β· dir. John Ford
πŸ… 100%β˜… 7.4western

Both are built on the same subject: black and white

Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.

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The Searchers poster
The Searchers
1956 Β· dir. John Ford
πŸ… 87%β˜… 7.8western

Western built on grit, twice over

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

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Old Yeller poster
Old Yeller
1957 Β· dir. Robert Stevenson
πŸ… 100%β˜… 7.2adventure Β· drama Β· family

Cozy western, and it commits to that

Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.

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A Fistful of Dollars poster
A Fistful of Dollars
1964 Β· dir. Sergio Leone
πŸ… 98%β˜… 7.9western

Common ground: gunslinger

The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.

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Shane poster
Shane
1953 Β· dir. George Stevens
πŸ… 97%β˜… 7.6drama Β· western

The same preoccupation in both: fistfight

A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.

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True Grit poster
True Grit
1969 Β· dir. Henry Hathaway
πŸ… 87%β˜… 7.4western

Western with a pulse of grit, in both cases

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

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Duck, You Sucker poster
Duck, You Sucker
1971 Β· dir. Sergio Leone
πŸ… 92%β˜… 7.5western

Both sit in the same gritty register

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

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The best-reviewed films that share High Noon’s defining feeling.