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Movies that feel like Double Indemnity (1944)

If you loved Double Indemnity, the closest films we have are Out of the Past (1947), The Killers (1946) and Shadow of a Doubt (1943). All three share Double Indemnity's gritty and tense feel, which is what we rank on before quality. 6 of the 12 picks below are included with a subscription right now on HBO Max, Criterion Channel and Darkroom and others, checked against today's data.

An insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, a claims investigator.

πŸ… 97% Rotten Tomatoesβ˜… 8.3 IMDb β†—TMDB β†—dir. Billy Wildergrittytenseatmospheric
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If Double Indemnity hit the spot, these will too

Out of the Past poster
Out of the Past
1947 Β· dir. Jacques Tourneur
πŸ… 87%β˜… 8crime Β· thriller

Both are working the same pair: femme fatale, film noir

The peaceful life of a gas station owner is disrupted when a man from his past arrives in town and forces him to return to the dark world he had tried to escape.

Feels alike?
The Killers poster
The Killers
1946 Β· dir. Robert Siodmak
πŸ… 97%β˜… 7.7crime Β· mystery Β· thriller

Two things both keep coming back to: murder and black and white

The difference: Sits closer to mystery than Double Indemnity does

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

Feels alike?
Shadow of a Doubt poster
Shadow of a Doubt
1943 Β· dir. Alfred Hitchcock
πŸ… 100%β˜… 7.8thriller Β· mystery Β· crime

Common ground in both: california and housewife

In sleepy Santa Rosa, restless young Charlie’s world brightens when her sophisticated Uncle Charlie arrives for a long visit. But as his behavior grows increasingly strange, she begins to suspect that her beloved uncle may be hiding a terrible secretβ€”and that danger has quietly entered her home.

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Odd Man Out poster
Odd Man Out
1947 Β· dir. Carol Reed
πŸ… 100%β˜… 7.6crime Β· drama Β· thriller

Both keep coming back to the same thing: film noir

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

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The Stranger poster
The Stranger
1946 Β· dir. Orson Welles
πŸ… 97%β˜… 7.3thriller Β· crime

Common ground: black and white

An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.

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The Big Clock poster
The Big Clock
1948 Β· dir. John Farrow
πŸ… 100%β˜… 7.6crime Β· thriller

Both are built on the same subject: murder

George Stroud, a crime magazine's crusading editor, has to postpone a vacation with his wife - again - when a glamorous blonde is murdered and he is assigned by his publishing boss to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence that he is the killer.

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The Narrow Margin poster
The Narrow Margin
1952 Β· dir. Richard Fleischer
πŸ… 100%β˜… 7.6thriller Β· crime

Gritty and tense in the same breath

A tough cop meets his match when he has to guard a gangster's widow on a train journey from Chicago to Los Angeles.

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Criss Cross poster
Criss Cross
1949 Β· dir. Robert Siodmak
πŸ… 86%β˜… 7.4crime Β· thriller

Crime built on atmosphere, twice over

An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.

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Blast of Silence poster
Blast of Silence
1961 Β· dir. Allen Baron
πŸ… 83%β˜… 7.4crime Β· drama Β· thriller

Gritty thriller, and it commits to that

A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past and a fat gun dealer with pet rats get in his way.

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Key Largo poster
Key Largo
1948 Β· dir. John Huston
πŸ… 97%β˜… 7.7crime Β· thriller

Crime with a pulse of tension, in both cases

A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.

Feels alike?
The Night of the Hunter poster
The Night of the Hunter
1955 Β· dir. Charles Laughton
πŸ… 93%β˜… 8crime Β· drama Β· thriller

Both lean on atmosphere more than on thriller

In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

Feels alike?
Scarlet Street poster
Scarlet Street
1945 Β· dir. Fritz Lang
πŸ… 100%β˜… 7.7drama Β· crime

The same preoccupation in both: femme fatale

The difference: None of the tension Double Indemnity is built on

Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.

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The best-reviewed films that share Double Indemnity’s defining feeling.