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Criss Cross poster

Movies that feel likeCriss Cross (1949)

An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.

If you loved Criss Cross, the closest films we have are The Killers (1946), The Big Clock (1948) and The Narrow Margin (1952). All three share Criss Cross' gritty and tense feel, which is what we rank on before quality.

Seen the big three already? The under-the-radar pick below is Odds Against Tomorrow (1959).

πŸ… 86% Rotten Tomatoesβ˜… 7.4 IMDb β†—TMDB β†—dir. Robert Siodmakgrittytenseatmospheric
7 of 12 streaming nowHBO Max Β· Amazon Prime Video Β· Criterion Channel

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See it on the Mood Map

If Criss Cross hit the spot, these will too

The Killers poster
The Killers
1946 Β· dir. Robert Siodmak
πŸ… 97%β˜… 7.7crime Β· mystery Β· thriller

Robert Siodmak directing both, with the same fingerprints on each

The difference: Leans harder into mystery than Criss Cross does

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

The Big Clock poster
The Big Clock
1948 Β· dir. John Farrow
πŸ… 100%β˜… 7.6crime Β· thriller

One thread runs through both: film noir

George Stroud, a crime magazine's crusading editor, has to postpone a vacation with his wife - again - when a glamorous blonde is murdered and he is assigned by his publishing boss to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence that he is the killer.

The Narrow Margin poster
The Narrow Margin
1952 Β· dir. Richard Fleischer
πŸ… 100%β˜… 7.6thriller Β· crime

The same preoccupation in both: film noir

A tough cop meets his match when he has to guard a gangster's widow on a train journey from Chicago to Los Angeles.

Odd Man Out poster
Odd Man Out
1947 Β· dir. Carol Reed
πŸ… 100%β˜… 7.6crime Β· drama Β· thrillerMax

The same mix in both: grit, then tension

The difference: Sits closer to drama than Criss Cross does

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

Blast of Silence poster
Blast of Silence
1961 Β· dir. Allen Baron
πŸ… 83%β˜… 7.4crime Β· drama Β· thriller

Crime with a pulse of atmosphere, in both cases

A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past and a fat gun dealer with pet rats get in his way.

Key Largo poster
Key Largo
1948 Β· dir. John Huston
πŸ… 97%β˜… 7.7crime Β· thriller

Both lean on grit more than on thriller

A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.

The Stranger poster
The Stranger
1946 Β· dir. Orson Welles
πŸ… 97%β˜… 7.3thriller Β· crimePrime VideoStarz

Crime built on tension, twice over

An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.

Out of the Past poster
Out of the Past
1947 Β· dir. Jacques Tourneur
πŸ… 87%β˜… 7.9crime Β· thriller

Atmospheric thriller in both cases

The peaceful life of a gas station owner is disrupted when a man from his past arrives in town and forces him to return to the dark world he had tried to escape.

Odds Against Tomorrow poster
Odds Against Tomorrow
1959 Β· dir. Robert Wise
πŸ… 88%β˜… 7.4crime Β· drama Β· thriller

Gritty crime, and it commits to that

An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

Kansas City Confidential poster
Kansas City Confidential
1952 Β· dir. Phil Karlson
πŸ… 79%β˜… 7.3crimePrime Video

Both keep coming back to the same thing: armored car

The difference: Easier on the tension than Criss Cross

An ex-convict sets out to uncover who framed him for an armored car robbery.

Killer's Kiss poster
Killer's Kiss
1955 Β· dir. Stanley Kubrick
πŸ… 83%β˜… 6.5thriller Β· crime Β· dramaPrime Video

Both lean on tension more than on thriller

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

The Naked City poster
The Naked City
1948 Β· dir. Jules Dassin
πŸ… 85%β˜… 7.5crime Β· mystery Β· thrillerMax

Both sit in the same atmospheric register

After a former model is drowned in her bathtub, Detective James Halloran and Lieutenant Dan Muldoon attempt to piece together her murder.

In the mood for more gritty?

all gritty movies β†’

The best-reviewed films that share Criss Cross’ defining feeling.