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Movies that feel like The Postman Always Rings Twice (1946)

If you loved The Postman Always Rings Twice, the closest films we have are Odd Man Out (1947), Out of the Past (1947) and Blast of Silence (1961). All three share The Postman Always Rings Twice's gritty and tense feel, which is what we rank on before quality. 3 of the 12 picks below are included with a subscription right now on HBO Max, Criterion Channel and Brew and others, checked against today's data.

A married woman and a drifter fall in love, then plot to murder her husband.

πŸ… 89% Rotten Tomatoesβ˜… 7.4 IMDb β†—TMDB β†—dir. Tay Garnettcontemplativeromantictendergrittytenseatmospheric

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If The Postman Always Rings Twice hit the spot, these will too

Looking for the series itself? Also in this series: The Postman (1994)

Odd Man Out poster
Odd Man Out
1947 Β· dir. Carol Reed
πŸ… 100%β˜… 7.6crime Β· drama Β· thriller

Two things both keep coming back to: film noir and black and white

The difference: Without the same romance

Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.

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Out of the Past poster
Out of the Past
1947 Β· dir. Jacques Tourneur
πŸ… 87%β˜… 8crime Β· thriller

Common ground in both: gas station and femme fatale

The peaceful life of a gas station owner is disrupted when a man from his past arrives in town and forces him to return to the dark world he had tried to escape.

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Blast of Silence poster
Blast of Silence
1961 Β· dir. Allen Baron
πŸ… 83%β˜… 7.4crime Β· drama Β· thriller

Common ground: murder

A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past and a fat gun dealer with pet rats get in his way.

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The Killers poster
The Killers
1946 Β· dir. Robert Siodmak
πŸ… 97%β˜… 7.7crime Β· mystery Β· thriller

The same preoccupation in both: gas station

The difference: Leans further into mystery

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.

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Mildred Pierce poster
Mildred Pierce
1945 Β· dir. Michael Curtiz
πŸ… 88%β˜… 7.9crime Β· drama

Both are built on the same subject: infidelity

A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.

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Gilda poster
Gilda
1946 Β· dir. Charles Vidor
πŸ… 90%β˜… 7.6romance Β· drama Β· thriller

Both keep coming back to the same thing: film noir

A gambler discovers an old flame while in Argentina, but she's married to his new boss.

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Scarlet Street poster
Scarlet Street
1945 Β· dir. Fritz Lang
πŸ… 100%β˜… 7.7drama Β· crime

One thread runs through both: femme fatale

Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.

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The Big Clock poster
The Big Clock
1948 Β· dir. John Farrow
πŸ… 100%β˜… 7.6crime Β· thriller

The same preoccupation in both: murder

George Stroud, a crime magazine's crusading editor, has to postpone a vacation with his wife - again - when a glamorous blonde is murdered and he is assigned by his publishing boss to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence that he is the killer.

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Criss Cross poster
Criss Cross
1949 Β· dir. Robert Siodmak
πŸ… 86%β˜… 7.4crime Β· thriller

Gritty where it counts, tense underneath

An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.

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The Asphalt Jungle poster
The Asphalt Jungle
1950 Β· dir. John Huston
πŸ… 98%β˜… 7.8crime Β· drama

Both are built on the same subject: black and white

Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.

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Gun Crazy poster
Gun Crazy
1950 Β· dir. Joseph H. Lewis
πŸ… 91%β˜… 7.6crime Β· romance Β· drama

Contemplative and romantic in the same breath

Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash.

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In a Lonely Place poster
In a Lonely Place
1950 Β· dir. Nicholas Ray
πŸ… 96%β˜… 7.9thriller Β· drama Β· romance

Both land tenderness and atmosphere at once

A violent screenwriter and a female neighbor fall in love after she clears him of murder, but she begins to have second thoughts.

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In the mood for more contemplative?

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The best-reviewed films that share The Postman Always Rings Twice’s defining feeling.