feelsalike.com

Movies that feel like The Hit (1984)

If you loved The Hit, the closest films we have are Red Rock West (1993), Layer Cake (2004) and Miller's Crossing (1990). All three share The Hit's contemplative and tense feel, which is what we rank on before quality. 5 of the 12 picks below are included with a subscription right now on fuboTV, Paramount Plus Premium and Paramount Plus Essential and others, checked against today's data.

Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.

πŸ… 89% Rotten Tomatoesβ˜… 7 IMDb β†—TMDB β†—dir. Stephen Frearscontemplativetensegritty

When is The Hit streaming? β†’

If The Hit hit the spot, these will too

Red Rock West poster
Red Rock West
1993 Β· dir. John Dahl
πŸ… 95%β˜… 7crime Β· drama Β· thriller

Hitman and criminal, at the center of both

When a promised job for Texan Michael fails to materialize in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money, and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.

Feels alike?
Layer Cake poster
Layer Cake
2004 Β· dir. Matthew Vaughn
πŸ… 81%β˜… 7.2drama Β· thriller Β· crime

Both circle kidnapping and gangster

The difference: 20 years apart, and the 2000s show

When a seemingly straight-forward drug deal goes awry, XXXX has to break his die-hard rules and turn up the heat, not only to outwit the old regime and come out on top, but to save his own skin...

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Miller's Crossing poster
Miller's Crossing
1990 Β· dir. Joel Coen
πŸ… 93%β˜… 7.7drama Β· thriller Β· crime

Both keep circling back to gangster

Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

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The Friends of Eddie Coyle poster
The Friends of Eddie Coyle
1973 Β· dir. Peter Yates
πŸ… 98%β˜… 7.4crime Β· drama Β· thriller

Both land stillness and tension at once

An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.

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Sleepers poster
Sleepers
1996 Β· dir. Barry Levinson
πŸ… 76%β˜… 7.5crime Β· drama Β· thriller

Both trade on grit more than on being drama

Two gangsters seek revenge on the state jail worker who during their stay at a youth prison sexually abused them. A sensational court hearing takes place to charge him for the crimes.

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Charley Varrick poster
Charley Varrick
1973 Β· dir. Don Siegel
πŸ… 82%β˜… 7.5crime Β· thriller Β· drama

The same preoccupation in both: hitman

Charley Varrick robs a bank in a small town with his friends, but instead of obtaining a small amount of money, they discover they stole a very large amount of money belonging to the mob. Charley must now come up with a plan to not only evade the police but the mob as well.

Feels alike?
Falling Down poster
Falling Down
1993 Β· dir. Joel Schumacher
πŸ… 77%β˜… 7.6crime Β· drama Β· thriller

Thriller with a pulse of stillness, in both cases

An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.

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Primal Fear poster
Primal Fear
1996 Β· dir. Gregory Hoblit
πŸ… 77%β˜… 7.7crime Β· drama Β· thriller

Crime built on tension, twice over

Defense attorney Martin Vail takes on jobs for money and prestige rather than any sense of the greater good. His latest case involves an altar boy, accused of brutally murdering the archbishop of Chicago. Vail finds himself up against his ex-pupil and ex-lover, but as the case progresses and the Church's dark secrets are revealed, Vail finds that what appeared a simple case takes on a darker, more dangerous aspect.

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Collateral poster
Collateral
2004 Β· dir. Michael Mann
πŸ… 86%β˜… 7.5drama Β· crime Β· thriller

Gritty drama in both cases

Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.

Feels alike?
We Own the Night poster
We Own the Night
2007 Β· dir. James Gray
πŸ… 57%β˜… 6.8drama Β· crime Β· thriller

Contemplative thriller, and it commits to that

The difference: Critics were much harder on this one

A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.

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36th Precinct poster
36th Precinct
2004 Β· dir. Olivier Marchal
πŸ… 100%β˜… 7.1crime Β· drama Β· thriller

Tense crime, and it commits to that

In Paris, two cops are competing for the vacant job of chief of police, in the middle of the search for a gang of violent thieves. The movie is directed by Olivier Marchal, a former police officer who spent 12 years with the French police before creating this story, taken in part from real events of the 1980s.

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The Departed poster
The Departed
2006 Β· dir. Martin Scorsese
πŸ… 91%β˜… 8.5drama Β· thriller Β· crime

Drama with a pulse of grit, in both cases

To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.

Feels alike?

In the mood for more contemplative?

all contemplative movies β†’

The best-reviewed films that share The Hit's defining feeling.