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Movies that feel like Rome, Open City (1945)

If you loved Rome, Open City, the closest films we have are Paisan (1946), Germany, Year Zero (1948) and Lifeboat (1944). All three share Rome, Open City's contemplative feel, which is what we rank on before quality. 10 of the 12 picks below are included with a subscription right now on Netflix, HBO Max and Amazon Prime Video and others, checked against today's data.

During the Nazi occupation of 1944 Rome, Resistance leader Giorgio Manfredi is pursued by the Nazis as he seeks refuge and a means of escape.

πŸ… 100% Rotten Tomatoesβ˜… 8 IMDb β†—TMDB β†—dir. Roberto Rossellinicontemplativebleak
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If Rome, Open City hit the spot, these will too

Paisan poster
Paisan
1946 Β· dir. Roberto Rossellini
πŸ… 100%β˜… 7.6drama Β· war

The same hand behind both of them: Roberto Rossellini

Six stories unfold in various regions, from Sicily to the northern Po Valley as American military personnel interact with a variety of Italian locals over eighteen months in the push north during the Italian Campaign of WWII as German forces retreat.

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Germany, Year Zero poster
Germany, Year Zero
1948 Β· dir. Roberto Rossellini
πŸ… 96%β˜… 7.8drama

Both are Roberto Rossellini's work, and they rhyme

The difference: Missing the bleakness of Rome, Open City

In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.

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Lifeboat poster
Lifeboat
1944 Β· dir. Alfred Hitchcock
πŸ… 90%β˜… 7.6war Β· drama

One thread runs through both: world war ii

During World War II, a small group of survivors is stranded in a lifeboat together after the ship they were traveling on is destroyed by a German U-boat.

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The Counterfeiters poster
The Counterfeiters
2007 Β· dir. Stefan Ruzowitzky
πŸ… 93%β˜… 7.5drama Β· war

Common ground in both: nazi and 1940s

The difference: Made in the 2000s, in a different era of the craft

The story of Jewish counterfeiter Salomon Sorowitsch, who was coerced into assisting the Nazi operation of the Sachsenhausen concentration camp during World War II.

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All Quiet on the Western Front poster
All Quiet on the Western Front
1930 Β· dir. Lewis Milestone
πŸ… 98%β˜… 8.1drama Β· war

Both land stillness and bleakness at once

When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.

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Persian Lessons poster
Persian Lessons
2020 Β· dir. Vadim Perelman
πŸ… 80%β˜… 7.4war Β· drama

Common ground: nazi

Occupied France, 1942. Gilles is arrested by SS soldiers alongside other Jews and sent to a camp in Germany. He narrowly avoids sudden execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but Gilles gets assigned a life-or-death mission: to teach Farsi to Head of Camp Koch, who dreams of opening a restaurant in Iran once the war is over. Through an ingenious trick, Gilles manages to survive by inventing words of "Farsi" every day and teaching them to Koch.

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The Longest Day poster
The Longest Day
1962 Β· dir. Ken Annakin
πŸ… 83%β˜… 7.7war Β· action Β· drama

Both keep coming back to the same thing: resistance

The difference: Leans harder into action than Rome, Open City does

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

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Shame poster
Shame
1968 Β· dir. Ingmar Bergman
πŸ… 67%β˜… 8war Β· drama

Contemplative drama in both cases

The difference: Reviewed a good deal more coolly

In the midst of a civil war, a pair of former violinists in a tempestuous marriage oversee a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

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In Darkness poster
In Darkness
2011 Β· dir. Agnieszka Holland
πŸ… 88%β˜… 7.3drama Β· war

War with a pulse of bleakness, in both cases

A dramatization of one man's rescue of Jewish refugees in the Nazi-occupied city of Lviv. In Darkness tells the true story of Leopold Soha who risks his own life to save a dozen people from certain death. Initially only interested in his own good, the thief and burglar hides Jewish refugees for 14 months in the sewers of the Nazi-occupied town of Lviv (formerly Poland).

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Ivan's Childhood poster
Ivan's Childhood
1962 Β· dir. Andrei Tarkovsky
πŸ… 100%β˜… 8drama Β· war

Both are built on the same subject: world war ii

In WW2, twelve year old Soviet orphan Ivan Bondarev works for the Soviet army as a scout behind the German lines and strikes a friendship with three sympathetic Soviet officers.

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The Captain poster
The Captain
2018 Β· dir. Robert Schwentke
πŸ… 83%β˜… 7.3war Β· drama Β· history

The same preoccupation in both: desertion

The difference: Sits closer to history than Rome, Open City does

Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of a Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.

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The Guns of Navarone poster
The Guns of Navarone
1961 Β· dir. J. Lee Thompson
πŸ… 92%β˜… 7.5adventure Β· drama Β· war

Contemplative drama, and it commits to that

A team of allied saboteurs are assigned an impossible mission: infiltrate an impregnable Nazi-held island and destroy the two enormous long-range field guns that prevent the rescue of 2,000 trapped British soldiers.

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The best-reviewed films that share Rome, Open City’s defining feeling.